The Black ADC uses the latest Super High Performance converter technology to provide 24 bit/ 192kHz conversion in a compact form that fits into the Black Rack. The Black ADC can be used as a stand alone converter for external devices as well as for the analogue modules within the rack. On the rear panel, the module has analogue inputs as well as an AES/EBU output XLR, and a Wordclock input.
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The Black Comp is a Class A, transformer balanced optical compressor/ limiter. The Overcomp function allows a large amount of pre-compression to be added to the signal, with some stunning results possible where an increase in the "energy" of the signal is desired.
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The Black EQ features switched frequency, "Enhanced Slope" HF and LF shelving controls. A switched frequency (1.5kHz/3kHz) Presence/Absence band and a sweep frequency Lo Mid band. The Lo Mid and Presence/Absence bands can be switched between reciprocal and Constant Q modes to allow either wide band equalisation or wide band boost with narrow band cut (notching) characteristics.
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Black Pre features transformer balanced Mic and Line Inputs and a discrete, single ended Class A signal path. A front panel mounted ¼" jack is provided for the high impedance Instrument/DI input. There are separate switched gain controls for the Mic and Line inputs, as well as a 10dB range fine trim gain control.
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The Black Series is a revolutionary modular rack system combining the pristine, uncoloured audio path normally associated with Audient, with an extremely varied palette of tonal colours provided by the unique, discrete, and transformer coupled circuitry.
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Black Time Machine is a top quality master word clock generator for your entire studio. Supporting all common sample rates up to 192kHz with incredibly low jitter. The Time Machine distributes Word Clock to each Black ADC in the Black Series Rack via a specially optimised bus, whilst also providing external outputs via a rear panel BNC connector and two AES/EBU connectors.
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Graphic Equalisers have become an indispensable tool for system alignment and optimisation. But while the demands of contemporary users, performers and audiences have pushed forward live sound technologies in many areas, the performance and functionality of 'graphic equalisers' has remained largely unchanged for the last 15 years.
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Justifying the cost of a high-end speaker processor is a tricky business. We all want better sound quality and more features, but these are often outweighed by the necessities of economy. Not any more… meet One.
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PodWare gives fast, intuitive control of Audient One processors, either individually or in a network of up to 100 devices.
Control every parameter of a One processor, either by typing in exact values, or by using on-screen curve-dragging to shape system response.
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Designed specifically for the discerning sound reinforcement professional, and equally at home on the road or in a fixed installation, the new Aztec Live Performance console rewrites the rules with class-leading audio performance and features, an innovative rugged light-weight frame structure and remarkable affordability.
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